![]() ![]() ![]() This is very much true, for example, of the text’s distinctively complex dramatization of the early modern encounter between Europe and Islam. Indeed, in addition to its superlative literary merit and fictional uniqueness, Don Quixote is historically and culturally rich. Parr does not seem to go too far when he hails Miguel de Cervantes Saavedra’s El ingenioso hidalgo don Quijote de la Mancha (1605–1615)-hereafter Don Quixote-as the perfect model of a “pivotal text,” that is “prescient in its formulation of the strategies of the self-conscious, self-questioning, and other experimental and historical texts of our time” (6). TIn lieu of an abstract, here is a brief excerpt of the content: In Don Quixote: A Touchstone for Literary Criticism (2005), distinguished Cervantine scholar James A. ![]()
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